"The America of my time line is a laboratory example of what can happen to democracies, what has eventually happened to all perfect democracies throughout all histories. A perfect democracy, a ‘warm body’ democracy in which every adult may vote and all votes count equally, has no internal feedback for self-correction. It depends solely on the wisdom and self-restraint of citizens… which is opposed by the folly and lack of self-restraint of other citizens. What is supposed to happen in a democracy is that each sovereign citizen will always vote in the public interest for the safety and welfare of all. But what does happen is that he votes his own self-interest as he sees it… which for the majority translates as ‘Bread and Circuses.’
‘Bread and Circuses’ is the cancer of democracy, the fatal disease for which there is no cure. Democracy often works beautifully at first. But once a state extends the franchise to every warm body, be he producer or parasite, that day marks the beginning of the end of the state. For when the plebs discover that they can vote themselves bread and circuses without limit and that the productive members of the body politic cannot stop them, they will do so, until the state bleeds to death, or in its weakened condition the state succumbs to an invader—the barbarians enter Rome."
— Robert A. Heinlein (To Sail Beyond the Sunset)
Wednesday, October 29, 2008
Monday, October 27, 2008
My Favorite Ebay Description Ever
From a current post selling the Rush album Signals:
This LP is the ninth studio album by the Canadian rock band Rush, released in 1982 . Signals was the follow-up to the successful Moving Pictures and highly influenced by Geddy Lee's input. Stylistically, the album was a continuation of Rush's foray into the technology-oriented 1980s through increased use of electronic instrumentation such as keyboards, sequencers, and electric violin. The album reached #10 on the Billboard album charts and was certified Platinum. The opening trackfrom Signals is "Subdivisions." The track would become a staple of the band's concert setlists for many years. "The Analog Kid" and "Digital Man" served as the inspiration for writer Troy Hickman to create the comic book heroes of the same name, Digital Man and Analog Kid, in the 2004 comic Common Grounds. "New World Man" would become an FM radio hit for the band. The song was written and recorded at the end of the recording sessions. This LP is getting harder to find now, especially in this EXCELLENT CONDITION !
This LP is the ninth studio album by the Canadian rock band Rush, released in 1982 . Signals was the follow-up to the successful Moving Pictures and highly influenced by Geddy Lee's input. Stylistically, the album was a continuation of Rush's foray into the technology-oriented 1980s through increased use of electronic instrumentation such as keyboards, sequencers, and electric violin. The album reached #10 on the Billboard album charts and was certified Platinum. The opening trackfrom Signals is "Subdivisions." The track would become a staple of the band's concert setlists for many years. "The Analog Kid" and "Digital Man" served as the inspiration for writer Troy Hickman to create the comic book heroes of the same name, Digital Man and Analog Kid, in the 2004 comic Common Grounds. "New World Man" would become an FM radio hit for the band. The song was written and recorded at the end of the recording sessions. This LP is getting harder to find now, especially in this EXCELLENT CONDITION !
Friday, October 24, 2008
Friday, October 17, 2008
The Trippy History of Troy Hickman
Hiya! Sorry I haven't posted much here lately, but as you may have heard, Twilight Guardian won the Pilot Season voting, and I've been spending a lot of my free time on interviews and such for a while.
I'm back, though, and I thought what I might start doing, along with the rest of my usual goofiness, is present some of the oddities from my small press days.
This time out, I'm going to show you a very odd piece that I did with Max Traffic some, I dunno, fifteen years ago? Max asked me to write eight pages of text to go along with his rather psychedelic artwork, so I did. What resulted was mighty peculiar. Check it out (you can click on 'em to enlarge them). Artwork (c) Maximum Traffic
I'm back, though, and I thought what I might start doing, along with the rest of my usual goofiness, is present some of the oddities from my small press days.
This time out, I'm going to show you a very odd piece that I did with Max Traffic some, I dunno, fifteen years ago? Max asked me to write eight pages of text to go along with his rather psychedelic artwork, so I did. What resulted was mighty peculiar. Check it out (you can click on 'em to enlarge them). Artwork (c) Maximum Traffic
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